![]() ![]() Of course, the more professional the software, the more granular and precise the tools for color manipulation become. ![]() While this article is primarily designed for FCPX users, the general concepts of reading color information from scopes will apply to anyone who works with color, regardless of whether you’re using DaVinci, Lumetri, or simply manipulating your vacation photos in iPhoto. Trying to color your film without the proper use of scopes is like trying to fly a plane without radar (or mix sound without meters)! However, many editors go into the coloring process ‘blind’ for all intensive purposes. Color correction grading your image allows you to establish a certain emotional connection with the audience, affecting the mood and feel of the piece. I'm always open to new ideas and opportunities, so please get in touch at editor (at) fcp.co.When nearing the end of post-production on your project, one of the final stages is the color grade. This involves managing a Zoom Webinar through Restream.io to YouTube and Facebook. Now in its 10th year and 4th redesign, running FCP.co has given me knowledge on how to run a large CMS- you are currently reading my bio from the database! Although it sounds corny, I am pretty well up on social media trends & techniques, especially in the video sector. The recent Covid restrictions has enabled live FCP.co shows online. Having a good knowledge of editing allows me to build-in flexibility and more importantly, usability. I also take on custom work, whether it is adapting an existing plugin for a special use or designing new plugins for clients from scratch. One free plugin was downloaded over a thousand times within 24 hours of release. It hosts a range of commercial and free plugins on the site. I'm the creative force behind Idustrial Revolution, one of the oldest Final Cut Pro plugin developers. I was lucky however to edit, from home, on projects for Amazon Kindle, Amazon Black Friday, Mastercard and very proud to have helped local charitable trust Kendall & Wall secure lottery funding.Īs for software, my weapon of choice is Final Cut Pro and Motion, but I also have a good knowledge and broadcast credits with Adobe Premiere Pro, MOGRT design and Photoshop. This is currently an Adobe Premiere edit.Ĭovid cancelled some of the regular corporate events that I edit such as trade shows & events. I'm proud to be part of a very creative team that has pioneered many new ideas and workflows that are now industry standard in sports' production. The Tour was the first broadcast show to adopt FCPX working for multiple editors on shared storage.īBC's Snooker has played a big part in my life, I've been editing tournament coverage since 1997. 2020 was my 25th year of editing the TdF and my 20th year as lead editor. The shows have also been nominated for a 2021 BAFTA.Īlthough both were postponed to later in the year, I worked again on ITV's coverage of the Tour de France and La Vuelta. ![]() It has been recommissioned by C4 for 60 episodes, including prime-time versions and five themed programmes. It has been a great success and the shows grabbed more viewers in the 4pm weekday slot than any previous strand. I also designed and built the majority of the graphics as Motion templates. Though I haven't yet tried to herd a flock of sheep through the city centre! Current EditingĢ020 has been busy, the beginning of the year was finishing off a new property series (cut on FCP) for Channel 4 called The Great House Giveaway. I was made a Freeman of Lichfield through The Worshipful Company of Smiths (established 1601). Under the name Idustrial Revolution, I have written and sold plugins for Final Cut Pro for 13 years. I have also worked as a broadcast and corporate editor for over 30 years, starting on one inch tape, working through many formats, right up to today's NLEs. I am the Editor-in-Chief of FCP.co and have run the website since its inception ten years ago.
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